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Red Blood Divine, Project formed by Mynationshit and Sentionaut which is influenced by horror movies .They definitely love directors such as Dario Argento ,John Carpenter,Wes Craven, Mario Bava and of course their hypnotist aesthetics and sinister atmospheres.

 

COÀGUL is the muzak project of the visual artist Marc O'Callaghan (Barcelona, 1988). Its main function is to concentrate the energy of certain cosmic principles in the physical spot where its sound is performed or reproduced...

 

...Amidst the Montes de Maceira (Torres Vedras, Portugal), where the land meets the sea, in the year 2014 a Lusitanian tribe was born, children of the land and the sea, whose name is Falcata de Fogo. This is a project that aims to honour and dignify his ancestors through the ancient ritualistic and melodic sounds....

 

Waste is set up as GH Records´s electronic music sublabel which wants to release gloomy and emotive stuff and besides to look for new artists and well-know also.

Ataraxia ‎– Simphonia Sine Nomine

Ataraxia ‎– Simphonia Sine Nomine
Label: Infinite Fog Productions ‎– IF-53LP-02
Format: Vinyl, LP, Album, Limited Edition, Reissue, Clear
Country: Russia
Released: 28 Mar 2016
Style: Modern Classical, Neo-Classical, Neofolk

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IF-53LP-02


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Reissue of this classic album, but first time on vinyl!  

Limited to 250 copies. 195 transparent vinyls (THIS VERSION). Full colored inner sleeve, refreshed artwork.

ATARAXIA is an Italian neoclassical band who combine modern technology with archaic instrumentation. They describe their music as a cross "between sacred and profane, ethereal and neo-classical , contemporary and early music". They make researches into the European legends crossing the Greek and Latin myths. Their lyrics are written in many ancient and contemporary languages.

An unusual album that may remind some of Dead Can Dance, Elijah's Mantle, or another neoclasical band of early 90`s. “Simphonia Sine Nomine” seems to be halfway between Gothic and Symphonic Rock. Vocalist Francesca Nicoli sings (in Italian and Latin) over synths, keyboards, electric and acoustic guitars, and occasionally drum machine. The music as a dark 'liturgical' gothic feel much of the time, with lots of minor keys and half-chanted singing, although there are a few brighter songs as well. A very enjoyable album and one of Ataraxia's all-time highlights...

Mastered by Peter Andersson (raison d’etre). 

 

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